Posted in PROJECTS

Quilt Blocks – Color Play Challenge

Here’s a Color Play Challenge that’s perfect for a day when bad weather is keeping you indoors.

  • three fabrics (one dark, one light and a medium gray)
  • five geometric shapes of different sizes
  • assemble without the same colors touching

Take some risks.  Choose colors you don’t usually put together. Solids are fun, but your can use prints that are clearly dark, medium and light.

Posted in Book Reviews, Sashiko

Two Sashiko Books

Two Sashiko Books

The Ultimate Sashiko Sourcebook by Susan Briscoe

  • Paperback: 128 pages
  • Publisher: David & Charles; UK ed. edition (May 27, 2005)
  • Language: English

Sashiko:  20 projects using traditional Japanese stitching                        by Jill Clay

  • Paperback: 136 pages
  • Publisher: GMC Publications (July 9, 2019)
  • Language: English

 

When I teach, demonstrate or do a trunk show, I always bring a copy of Susan Briscoe’s book “The Ultimate Sashiko Sourcebook”.   Anyone interested in sashiko should have this book.

The section on History includes wonderful photographs of both sashiko garments and early 20th century postcards of sashiko being worn in everyday life.  There is enough information for the casual reader and for someone interested in delving deeper into this traditional Japanese stitching technique.

Getting Started is illustrated with images of equipment and materials.  How to Stitch instructions are shown with both diagrams and photographs.  Tools and techniques for drawing a grid and pattern on fabric (rather than purchasing fabric with a design pre-printed) are clearly explained.

TEN PROJECTS: Long samplers (shown framed), Greeting Cards, Coasters, Placemats, Throw Pillows, Tote Bags, Noren Curtains, Drawstring Bags, Cushions, Table Runner.

The Pattern Library is rich resource for three ‘one-stitch’ approaches to sashiko:

Moyozashi Sashiko – geometric patterns repeated on a grid / stitches never touch or cross-over

Motifs – designs to use alone or repeated (flowers, leaves, Kanji characters, family crests)

Hitomezashi Sashiko – reminiscent of darning patterns / stitches can be woven or cross-over

The Inspiration Gallery is a collection of contemporary sashiko pieces sure to spark your creativity.


New in 2019 – “Sashiko: 20 projects using traditional Japanese stitching” by Jill Clay

The Introduction briefly reviews tools, materials and supplies, but the main purpose of the book is the projects.  Each includes detailed instructions with drawings, diagrams and photographs.

TWENTY PROJECTS: Greeting Cards, Brooch, Tablemats, Coasters, Pincushion, Needle Case, Book Cover, Drawstring Bag, Cushion, Wall Hanging, Table Runner, Laundry Bag, Japanese-bound Book, Duvet Set, Wrapping Cloth (Furoshiki), Scarf, Noren Curtain, Coin Purse, Bag + Japanese Crossover Apron.

Pattern Library: Full-size sashiko patterns to trace and transfer onto fabric.

 

 

 

Posted in What is ....

What is REDWORK?

The term “Redwork” refers to designs with an outline embroidered in red thread on a white or unbleached cotton fabric.  The outline is worked with a running stitch, a stem stitch or back stitch. Occassionally cross stitching or French knots are added.

Redwork became popular in North America in the late 1800’s after a Turkish-made colorfast red thread became available. Before “Turkey Red’ was introduced, the color in threads washed out or “bled” onto  light-colored fabric.  From 1910 to 1930, a colorfast blue thread was popular (called Bluework).

 

Redwork was popular in the United States from 1855 to 1925. Napkins, tea towels, chair cushions, sofa pillows and chair back covers were the typical projects women would make for their homes.

Most designs were simple to stitch. Popular themes included animals, the classic French rooster weathervane, flowers, toys, nursery rhyme characters and scenes with happy children at play.

 

Designs preprinted on fabric squares cost about a penny. The designs on these “penny squares” were stamped- a process for transferring designs onto fabric that became a source of income for many women working from home. Around the 1870s, iron-on transfers were developed. Using a warm iron was an easier method to apply the design onto the fabric.

The squares were embroidered and stitched together into bedcoverings or quilts (often without sashing). Redwork quilts were mostly “summer weight” with no batting.

It’s interesting that a method of stitching that started because of a lack of access to good supplies has continued into modern embroidery, including using a machine for the stitching!

Some resources:

Barbara Parrish has posted a wonderful assortment of free Redwork patterns featuring vintage scenes and motifs. Be sure to check out the main sections of her webpage for helpful redwork tips and information.

Bird Brain Designs

This site features quite a few designs suitable for redwork embroidery. Most of the designs are whimsical and will fit nicely on a flour sack kitchen towel. The free patterns feature a variety of themes including Holiday and every day.

Tipnut

Tipnut offers a series of Kitchen Proverbs for redwork embroidery:  A Watched Pot Never Boils, Too Many Cooks Spoil The Broth, and First Come, First Served.

Embroidery Library

If you’re a history buff, you’ll love learning a bit more of the history of redwork, along with blue work and blackwork. Embroidery Library, a site that sells patterns and files for machine embroidery, gives a great overview of the types of patterns used for this style of embroidery, as well as how and why redwork came to be.

Redwork Patterns by Barbara Parrish    and  Barbara Parrish

Barbara Parrish has posted a wonderful assortment of free Redwork patterns featuring vintage scenes and motifs. Be sure to check out the main sections of the webpage for helpful redwork tips and information.

 

Posted in Uncategorized

The Ultimate SASHIKO Sourcebook by Susan Briscoe

Anyone interested in sashiko needs a copy of Susan Briscoe’s book, “The Ultimate Sashiko Sourcebook”.

In this reference book, Susan has combined a brief history with detailed How To directions; projects and designs – everything illustrated with wonderful photographs.

Paperback The Ultimate Sashiko Sourcebook Book

Susan lives in North Wales, Great Britain. When she travelled to Northern Japan in 1991, Susan worked as an English teacher in Yuza-machi, a small town in the Yamagata prefecture.  It was there that she became interestesd in country textiles and was introduced to the art of sashiko stitching. Since then Susan has returned to Japan many times to increase her knowledge of this traditional Japanese technique.

In 2003, Susan Briscoe was instrumental in bringing an exhibit of Japanese textiles to Great Britain.  Attendees at the Festival of Quilts were thrilled by what they saw and sashiko is now one of the most popular needlework techniques in Great Britain, Australia and Canada.  Interest is growing in the US, with several classes being offered each year at Houston’s Quilt Festival.

The subjects of Susan Briscoe’s books include sashiko, quilting and patchwork.

Japanese Taupe Quilts: 125 Blocks in Calm and Neutral Colors: Elegant Designs to Combine Into Works of Tranquil Beauty  Simple Sashiko: 8 Sashiko Sewing Projects for the Modern Home    Japanese Quilt Blocks to Mix and Match

 

Posted in American Sashiko

American Sashiko: Sylvia Pippen

Sylvia Pippen is famous for her beautiful Hawaiian sashiko designs. She combined hand appliqué with sashiko stitching to create pieces celebrating the flowers and foliage of Kauai and the Big Island of Hawaii.sylvia 2

Sylvia moved to La Conner, Washington and opened a shop near the wonderful Pacific Northwest Quilt & Fiber Arts Museum.

Her designs now embrace images of oceanic and sea life,  American and Australian Wildflowers.  Sylvia offers a collection of threads and accessories sure to please anyone interested in embroidery, applique and SASHIKO.

If you can’t visit La Conner, you can purchase Sylvia’s designs online. 

 

Posted in What is ....

What is Boro?

What is Boro?

The story of Boro begins in the early nineteenth-century rural Japan.  Weather in the northern provinces was too cold for growing cotton, so women in farming and fishing villages wove fabric from hemp and ramie. Preparing the plants and weaving the coarse fiber was time-consuming, so out of necessity women patched clothing and futon covers with scraps of fabric and sashiko stitching.

Over many generations, the repaired textiles acquired more and more layers of patching and stitching, until the original fabric was unrecognizable.  The remaining examples of  these garments are on exhibit in museums and have become known as Boro – a Japanese word meaning “tattered rags”.

Boro-Style for MODERN MAKERS

2019 BORO Hip Stitch Class - SCARF.jpgNot unlike quilting, boro developed out of necessity and is now a creative textile tehnique. Modern makers practice extreme patching and visible mending as both an artistic expression and a statement of the recycle/reuse/re-purpose movement.

 

 

 

Posted in What is ....

What is Sashiko? (SA-SHE-KO)

What is sashiko?   I have two answers – a stitching style and a stitching technique.

JAPANESE-STYLE sashiko stitching developed in rural Japan in the 1600’s.  Today the most popular technique for sewing Japanese-style designs is a running stitch.

Beautiful repeat designs were stitched on indigo blue fabric with white thread to patch and mend worn garments and bedding.

Related imageImage result for boro in Amuse Museum

Patches and stitching were added until it became what we call BORO, from the Japanese word BoroBoro, meaning rags.  The Amuse Museum in Tokyo exhibits original boro pieces.

 

The repeat design on the boro vest is available to stitchers today as a sampler, pre-printed on fabric with a dashed line to guide your stitches.

Sashiko Pre-printed Sampler – # 0004 Saya-gata (Key Maze) – White

Japanese-style samplers were my introduction to sashiko.  I appliqued the finished pieces onto pillows and garments.

 

 

 

Sashiko is a one-stitch embroidery TECHNIQUE: 

  1. Outline stitching
  2. Pattern embroidery
  3. Stitched shapes

Outline stitching:

  • A running stitch is used for outline embroidery and repeated designs (often overlapping).  Horizontal, vertical and curved lines are sewn with a space between each stitch; no stitches touch one another or cross over. Japanese:  Sashiko Moyozashi

Redwork is a form of outline embroidery.

 

 

 

Pattern embroidery:

  • A grid of stitches creates a pattern; horizontal, vertical and diagonal stitches often cross over (like cross stitch).  Japanese:  Sashiko Hitomezashi

Darning sampler, cotton, embroidered with silk, Zeeland, The Netherlands, mid-18th century.

Copyright Victoria and Albert Museum, London, acc. no. T.186-1921.

Pattern darning is a form of grid stitching.

 

Darning samplers were made in Belgium, Britain, Denmark, Germany and the Netherlands between the 8th and early twentieth centuries. They were usually made by school girls as part of their education, either at home or in a school class.

 

 

 

Stitched shapes:

  • Varying lengths of closely worked stitches create a shape.  Japanese: Kogin

Image result for antique needlepoint flowers

 

Needle point is a form of shape stitching.

 

 

GLQC Quilt Museum:  http://www.museum.msu.edu/glqc/about_glqc.html
Another resource for images is the Quilt Index.